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Electronic and Computer Music

Electronic and Computer Music
This updated and expanded third edition of Peter Manning's classic text, Electronic and Computer Music, deals with the development of the medium from its birth to the 21st century. The first section of the book, which remains essentially unchanged in this edition, covers electroacoustic music from its beginning at the turn of the century to 1945, the development of post-1945, 'classical' studios, development of voltage-controlled technology, and its commercial exploitation in tape works, live electronic music, and the early use of electronics in rock and pop music. Section two, Computer Music, is heavily revised and significantly expanded and treats the digital revolution from the early experiments during the late 1950s and early 1960s to the advanced systems of today. Emphasizing the functional characteristics of emerging digital technologies and their influence on the creative development of the medium, Manning covers key developments in both commercial and the non-commercial sectors.



Electronic and Computer Music by Peter Manning,
Electronic and Computer Music by Peter Manning,
This updated and expanded third edition of Peter Manning's classic text, Electronic and Computer Music, deals with the development of the medium from its birth to the 21st century. The first section of the book, which remains essentially unchanged in this edition, covers electroacoustic music from its beginning at the turn of the century to 1945, the development of post-1945, 'classical' studios, development of voltage-controlled technology, and its commercial exploitation in tape works, live electronic music, and the early use of electronics in rock and pop music. Section two, Computer Music, is heavily revised and significantly expanded and treats the digital revolution from the early experiments during the late 1950s and early 1960s to the advanced systems of today. Emphasizing the functional characteristics of emerging digital technologies and their influence on the creative development of the medium, Manning covers key developments in both commercial and the non-commercial sectors.



Computer-generated music - Computer-generated music is music composed by, or with the extensive aid of, a computer. Although any music which uses computers in its composition or realisation is computer-generated to some extent, the use of computers is now so widespread (in the editing of pop songs, for instance) that the phrase computer-generated music is generally used to mean a kind of music which could not have been created without the use of computers.

International Computer Music Conference - The International Computer Music Conference (ICMC) is a yearly international conference for computer music researchers and composers. It is the annual conference of the International Computer Music Association (ICMA).

CMJ Rock Hall Music Fest - The CMJ Rock Hall Music Fest is a now-annual music festival that takes place in venues across Cleveland, Ohio. The festival is sponsored by the Rock and Roll Hall of Fame, located on the shores of Lake Erie downtown, as well as by CMJ, or College Music Journal, a weekly magazine for the music industry and college radio stations in the United States and Canada.

Computer Music Center - The Computer Music Center (CMC) at Columbia University is the oldest center for electronic and computer music research in the United States. The Center was founded in the 1950s as the Columbia-Princeton Electronic Music Center.



computermusicrock

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